Sunday, January 29, 2023

Time to Sell Pt. 1: The Argument

I have said this before, and now I will say it again. Despite evidence to the contrary, I am not a camera collector. I do not buy cameras for the sole purpose of owning them. I do buy cameras for the purpose of making photographs with them. With exception of one or two, every camera I own has had film loaded into it and used to make photographs, and I have the negatives to prove this.

However, I also have a large enough collect - wait, let’s call it my camera inventory - to lead someone to believe that I collect cameras. This and a number of other facts have led me to suspect that not only do I possess too many cameras, but also doing so is ultimately bad for my photography.

Uncle Jonesy’s Minolta. Not going anywhere.
Please note:  I stated that owning too many cameras is bad for my photography, not yours. This article is about me alone, so please do not read into it any kind of judgment. You have the right to own as many cameras as you want, and doing so may actually make you a better photographer. If that is the case, then by all means have at it. But please keep reading and hear me out. I like it when people read my blog posts!

The Argument 

Recently, I have given much thought to the possible negative effects owning a large number of cameras for the sole purpose of using them might have on my photography, and I have reached several conclusions. Some of the conclusions are practical, while others are conceptual. All of them have become undeniable. So, here they are one by one.

1.  Storage in a Small Condo is a Problem

I love my downtown Chattanooga condo It has 690 square feet of paradise. It has everything I want. It just does not have much storage room. When my wife and my moved in, we had to downsize considerably, and this required making decisions (some painful) about which of our possessions were essential to our happiness. We off-loaded a lot of things, and today, we are doing just fine. Happier, even, I would suggest. Possessions can burden you.

However, not only did I not leave any cameras behind when we moved in, but also I’m pretty sure that I have added cameras to my inventory since then. Some of my favorite cameras are on display on shelves or the window sill nearest my bed. Cameras with film in them are kept in camera bags in the closet, ready for use. However, other camera are stored in storage boxes on shelves in my closet. In other words, I seemingly have cameras everywhere. I fully expect to open my refrigerator someday and find a camera in it. 

This is a problem for me, as I don’t like clutter. My wife and I take pleasure in the uncluttered layout of our condo. The abundance of cameras in my condo are a threat to our uncluttered environment.

2.  More Choices are Not Always Good

When the opportunity to photograph comes along, I rejoice. I love to get out with a camera and try to be creative. Opportunities do not come along often enough for me, so the last thing I need is indecision regarding which camera to use. And believe me, camera indecisiveness is a thing. I agonize over it. I even feel guilty about having a nice camera but not using it. “Why am I not not putting film in my Leica iiia or my Rolleicord or my Minolta XD-7? There are people out there who would love to own and use the cameras I don’t use. How can I let them sit on a shelf or even lay in the bottom of a storage box?” And so I give a lot of thought about my choices, and when I finally make a decision, I sometimes question my decision even while I’m shooting. And then it hits me. My choices are infringing on my fun. 

3.  More Cameras Mean More Camera Problems

Let me reiterate that I am not a camera collector. I own cameras for the purpose of using them and if I choose to use a particular camera on a given day, I really want that camera to work. Most of the time they do. However, sometimes they don’t. And of course, those times almost always happen to be important times when I simply must get the shot. It’s the Murphy's Law of photography. Cameras never fail at unimportant times. Some of I own cameras have been serviced (CLA’d) and should not fail, but I also own cameras that haven’t been serviced but seem to work fine. They are, in fact, ticking time bombs. It’s just a matter of time. 

Obviously, the solution to this is to get them all serviced. But just as obvious is the fact that the more camera own, the more money I will spend servicing them. Nothing wrong with that, except that the money I spend on servicing all my cameras could buy more film, chemistry, and paper. Shooting vintage film cameras is fun for certain, but The ultimate goal is to make photographs that I can print and hold in my hand. 

4.  The “At One” Factor

Neil Young and Peter Buck are two of my favorite guitarists, and they both are associated with a particular guitar, a guitar that appears on most, if not all of their records and live performances (for Young, it’s a 1959 Les Paul known as “Ol’ Black, while Buck has played a black Rickenbacker 360 on nearly every record he’s ever made). Because they have used these guitars so very much over the years, it’s safe to say that they long ago reached the point to where they are “at one” with their instruments. They know them inside and out and can call up every possible sound their guitars can make in an instant. 

I would very much like to be that way with a camera. And I have a couple of SLRs that I do feel at one with, because I have owned these camera models for decades. Other cameras in my inventory are less familiar to me and require more time to operate. Certainly, if I shot them more, I would eventually reach “at one” status with them them at some point. But as I stated above, I feel guilty leaving my favorite cameras on the shelf. And anytime I leave a camera on the shelf for an extended period of time before picking it up again, there always will be a “reacquaintance” process, a process that could (and has) caused me to miss a shot. Not good.

The Truth about Cameras and Photographs

Now as you read this, you may or not agree with me. Thats fine. I am not you, and you are not me. You know you. I don’t. However, I will state something something that I believe is true for everyone. Owning a lot of cameras does not make you or me a better photographer. It will make you a better collector, and there is nothing wrong with that. I can be impressed by someone's collection like anyone else. You may even be impressed with my inventory of cameras. But what I really want to impress you with are my photographs. That’s what I care about.

How We Got Here

At the point you may be wondering how and why I got myself into this dilemma in the first place. “Wow, why do you have so many cameras?  You must be a collector.” Good question. Here is what happened. When my brother and I got our cameras out of the closets in the spring of 2017 after not having used them for several years, our passion for photography was reignited and burned hot. We shot rolls and rolls of color negative film, developed it at home with C-41 kits from the FIlm Photography Store, scanned the negatives with our Epson scanners, and posted them online. Then we would have long conversations about what we had done and what we were learning. We also talked about cameras we were seeing for sale at antique stores, thrift stores, and flea markets. We were amazed at what we found. They were cameras we had admired and wanted back in the early 1980’s when we first began our film photography journey but could never afford, and now here they were forsake for $10 to $50 dollars. It seemed like such a shame to leave them there not doing what they were made to do, so we “rescued” them. 

It goes out of hand, of course, at least for me. Soon I had more cameras than I had time to shoot and had space to store. So here we are. Now it’s time for some Hard Decisions.


Wednesday, December 21, 2022

Uncle Jonesy’s Cameras Podcast #56:: A Carol for Clickmas


You’re invited to a special holiday gathering for people who love family and film.

Seasons Greetings from The Shutter Brothers!


Wednesday, November 30, 2022

Uncle Jonesy's Cameras Podcast #55: Flash Done Right (and Flash Done Wrong)

The Shutter Brothers are back! We know it has been a while (and Wayne and I have really missed you!), but I've had some family issues to work through, leaving no time for podcasting (or photography, for that matter) until now. So, we have some catching up to do!

Our show begins with a recap of our 2022 Uncle Jonesy's Camera/Safelight District Photowalk at Laurel Snow State Natural Area near Dayton, Tennessee. It was a complete success, and thanks to everyone who participated. We loved seeing your photowalk photos online, and Wayne and I hope to have ours out soon.

Next, I reveal my choices of cameras for my trip to Montreal and Quebec City the first week of December.  Yes, you heard right. I will be shooting my Panasonic Lumix LX-5 digital camera for color photography. However, I settled on my Minolta XE-5 SLR for black and white. Find out why in the show.

My Panasonic LUMIX LX-5, which I’ve had for years but
never really enjoyed using until . . .


. . . I got the LVF-1 live viewfinder. Now I can use the LUMIX 
as if it were a “real” camera. 😉

As for b&w, I’m going with classic tried and true.

Neither Wayne nor I shoot much flash photography, but there are times when flash is a must. Wayne has found a great flash option for his Plaubel Makina 67 medium format camera: the Olympus T32. It has all the functionality Wayne wants, and it looks good, too! Way to go, Wayne! However, over in this corner is Kevin, whose roll of blank film shows what happens when flash is done wrong. Listen to the show to find out how you can avoid making the same mistake.

Wayne's Makina 67 with Olympus T32 Flash

The T32 has a movable head that enables a full range of 
bounce capability.

Another cool flash is the Vivitar 283 with the sensor cord. Put
the sensor on the camera and place the flash wherever you want!

What Kevin was going for with his recent attempt at flash photography was musician portraits in the style of Francis Wolff, the co-founder of Blue Note records. While his main role with Blue Note was handling the finances, he also was an accomplished photographer. He shot over 100,000 frames at nearly every Blue Note session, and these photographs were used for the album cover art. He used a Rollieflex, but Kevin has replicated his style with the "plastic filmtastic" Debonair 120 from the Film Photography Store, which has a hot shoe. Put a flash on it and you can get portraits like this!

Believe it or not, if you put a flash unit on the
Debonair 120, it's capable of some cool portraits
in the style of Francis Wolff.

Finally, the Shutter Brothers discuss using Etsy as a platform for selling their prints. Does it work and is it worth the time? Listen to find out.

Kevin's darkroom prints can be found in his Etsy store, Chattalogphotography.

You can visit Kevin's Etsy store by clicking here.

As always, we love hearing from out listeners. If you want to contribute for a future show, you can send your questions, comments, tips, stories, and even voice memos to unclejonesyscameras@gmail.com. You also can follow us on Facebook and Instagram, and feel free to leave your feedback there.

Now load that camera and capture some holiday magic!



Wednesday, October 19, 2022

Uncle Jonesy's Cameras Podcast #54: A Camera for Canada

In case you haven't heard, we're having a photowalk! Wayne and I are super excited, and it's just a few days away. Here are all the details:

2022 Photowalk with Wayne Setser
Presented by Uncle Jonesy's Cameras Podcast and Safelight District Community Darkroom

Saturday, October 22 beginning at 8:30 am EDT
Laurel Snow State Natural Area (near Dayton, Tennessee)
Lunch and conversation afterward at Monkey Town Brewing, Dayton, Tennessee
Free!

You can let us know you are coming here.

Next, my wife, Debbie, and I are taking a week-long trip to Montreal and Quebec City in December, so what camera(s) should I bring? The weather will be cold, and there will be lots of walking, so keeping the gear to a minimum is a priority. Fortunately for me, Wayne and our knowledgeable listeners are here to help me decide.

The Minolta Maxxum 5:  a modern choice

The Leica ilia:  classic vintage

Wayne and his wife, Teresa, are planning trip to Norway next year, and if he were to shoot 35mm film, his camera of choice would be a classic compact rangefinder, the Canon Canonet QL17 Giii. Wayne's copy looks resplendent in its blue leatherette.

Wayne's Canon Canonet QL17 Giii with Canolite D flash

Speaking of good travel cameras, the 3A Kodak Series II folding camera certainly is not that, but it was a fine camera in its day. Wayne's copy is in excellent condition; all it needs is a roll of 122 film. Where can Wayne get that? A super helpful listener comes through with a source.

The 3A Kodak Series II:  a whopper!

Lastly, the UJC Podcast now has over 400 Instagram followers, and to celebrate, Wayne and Kevin give away prints to two lucky winners.

Thanks to all the listeners who offered camera advice and also those listeners who sent us questions or tips. As far as we are concerned, all of you are on the UJC Team! If you want to contribute for a future show, you can send your questions, comments, tips, stories, and even voice memos to unclejonesyscameras@gmail.com. You also can follow us on Facebook and Instagram, and feel free to leave your feedback there.


Thanks for listening! Now let's get some pitches!

Saturday, September 24, 2022

Uncle Jonesy's Cameras Podcast #53: Third Time's the Charm


In this information-packed show, we are super glad to announce our 2022 Photowalk with Wayne Setser, to be held on Saturday, October 22, at 8:30 am at the Laurel Snow State Natural Area near Dayton, Tennessee. As most of you know, this is our third attempt, having been thwarted once by the coronavirus pandemic in 2020 and again by dangerously stormy weather in 2021. So, as the title of the show suggests, we have a good feeling about this one.

You can get all the details by listening to the show, and you can let us know that you are coming by clicking here. We couldn't be more excited about the prospect of getting to photograph with some of our listeners in person and going to lunch together afterward. If there is anyway you can make it, please consider coming!

In our second segment, Wayne and I read an email from Billy Sanford regarding making negatives that are easier to print. Since both Wayne and I shoot film with the intention of making darkroom prints from our negatives, this question is really important to us. Wayne's helpful tips certainly caught my attention, and they may be of use to you.

Our third segment is a camera review (and yes, it's another Minolta). the Minolta Maxxum 5 wasn't even on my radar until about a year ago when I read an excellent article by James Tocchio on his fine blog, Casual Photophile, the title of which is We Should All Be Shooting Dorky AF SLRs and Here's Why. Even though the title of the post did not mention the Maxxum 5, it definitely was his dorky AF SLR "poster child," as he uses the Maxxum 5 to make his point. I recently had the opportunity to get a clean and functional Maxxum 5 with the original 28-80mm kit lens for about $20.00, and I have to say that it is one amazing camera. Even though the camera clearly is intended to be used by beginners to advanced amateurs, it feature lists goes on and on. I've never seen so many professional level features in such a small and light SLR body. When combined with my excellent Minolta AF prime lenses, could this be my "forever" 35mm camera?

We wrap of the show with a contest, and two lucky listeners will receive prints from Wayne and myself. Listen to find out how to win.

As always, we are so very thankful for each and every one of our listeners, and we would love to hear from you. You can send your questions, comments, tips, stories, and even voice memos to unclejonesyscameras@gmail.com. You also can follow us on Facebook and Instagram, and feel free to leave your feedback there.

Thank you for listening! We'll see you at the 2022 Photowalk!

Sunday, September 11, 2022

Uncle Jonesy's Cameras Podcast #52: A Walk in the Park in Wayne

Wayne and I are back with another show that begins with a simple walk in the park. On the morning of the day that we recorded this show, the two intrepid Shutter Brothers met at the North Chickamauga Creek Gorge Trailhead near Soddy Daisy, Tennessee, and had a nice time exploring the beauty of the creek and looking for things that, in the words of Wayne, "want to be photographed." Both Wayne and I exposed two sheets of 4x5 film, and by the time we made it back to our vehicles, we were ready to head to Chattanooga to get some lunch and record a podcast show. 

Our show begins with a camera, of course, a very cool and interesting product from Kodak:  the Signet 35. The Signet 35 was the finest of all Kodak's American-made cameras, and the build quality is readily apparent. Rumors are that this camera was originally designed for military use, and the oversized knobs and ease of repair makes this seem likely. Wayne has had several of these over the years, and he brought his current example for me to try out. You can count on me for a full report.

Our second segment is a tale of two developers. First, Wayne, inspired by listener Jr. Wyatt, shares his experience with Thornton's Two-Bath Developer, a developer based on the two-ingredient D-23 that I have been using of late. A complete guide to mixing and using Thornton's Two Bath Developer can be found on the very useful website, Pictorial Planet, which is the work of John Finch.Next, Kevin shares his experience with an environmentally friendly version of his beloved D-76, know as D-76H. Kevin learned of D-76H from a very helpful article by Tim Layton on his website, Tim Layton Fine Art.

In our third segment, we read (and listen to) some great listener feedback while sharing our tips on keeping dust off our negatives. Finally, we make an important announcement about our forthcoming third attempt at the UJC/Safelight District Photowalk. 

We can never fully express to you our gratitude for our listeners, and we want you to know that you are are a necessary part of the UJC Team. Therefore, we invite you to take an active role in the content of the show by giving us your feedback. You can send your questions, comments, tips, stories, and even voice memos to unclejonesyscameras@gmail.com. You also can follow us on Facebook and Instagram, and feel free to leave your feedback there.

Thank you for listening! Now let’s go get some pitchas!


Wednesday, July 27, 2022

Uncle Jonesy's Cameras Podcast #51: In the Same Room at Last!

While Wayne and Kevin have enjoyed talking film photography with each other over the internet, there is noting like being in the same room for a face-to-face chat, and that is what show #51 is - an in-person session with two guys who love to make photographs using the analog process. Our first segment is all about our listeners questions, and we have some good ones about composition techniques, homemade developers, and two-bath developers like DD-23. Kevin was particularly interested in this topic, as he has been experimenting with homemade D-23 lately. Here is a link to a website that Kevin found with a lot of useful information about DD-23.

Our second segment is a discussion about the tension between the need to be creative on a regular basic versus the lack of inspiration in the form of subject matter. During a recent printing session, it began to dawn on Kevin that while he has a lot of negatives that were indeed fun to make, they didn't necessarily make for good prints in the darkroom. This left Kevin with a very disappointing feeling that the three ring binder in which he keeps his negatives is full of "fuzzy concepts." What to do?! Wayne shares his advice on reaching a balance between actually making photographs and other useful creative photographic activities. If you have ever struggled with  creative ebb and flow, you might find Wayne’s advice helpful also. 

Finally, Kevin shares his growing interest in making prints using the RA-4 process, to which one might ask, “Is this a good idea given that YOU ARE COLORBLIND?!” Nevertheless, Kevin has been doing A LOT of research, including this very helpful (and dryly funny) video by Gregory Davis, aka The Naked Photographer. Should he go for it? 

As always, we are extremely grateful for our listeners m and we would love to have your input for future shows. You can send your questions, comments, tips, stories, and even voice memos to unclejonesyscameras@gmail.com. You also can follow us on Facebook and Instagram, and feel free to leave your feedback there.

Now let’s go get some pitchas!