Wednesday, July 31, 2019

UJC #18: We Project a Winner!

Who doesn't love vacation photography, especially when you go "old school" like the Shutter Brothers, Kelley and Kevin Lane. Kelley talks about his success with Kodak's new Ektachrome E100 Super 8 movie film, which was a lot of fun to do and even more fun to watch, especially when projected on a screen. Watching his movie is like going back in time - except that it happened just a month ago. The film and processing/scanning are a bit on the expensive side, but the experience is totally cool!

Kelley shot his movies on his Argus/Cosina 708 Super 8 movie camera using Kodak's new Ektachrome E100 super 8 film. After shooting the three-minute roll, Kelley sent his film to the Film Photography Store to have it developed and scanned. Three weeks later, his developed reel of movie arrived along with a video file of the scan. While it certainly can be projected on a screen using a super 8 movie projector, the scans make it possible to post movies online. Keep watching this blog, as Kelley will post an edited version of his vacation movie to our new Uncle Jonesy's Cameras YouTube channel very soon.

Meanwhile, Kevin talks about the fun he has been having shooting slide film on vacation and the even more fun he has been having developing, mounting, and projecting the slides, thanks to a workflow tip from fellow podcaster Andre Domingues of the Negative Positives Film Photography Podcast. With a slide mounter, a supply of empty slide mounts, and a working slide projector, you can make vacation slide shows come alive on the big screen.

The Shutter Bros wrap the show up with a great listener letter and a question about shooting in areas of high humidity.

You can find the Uncle Jonesy's Podcast in your favorite podcast directory or by clicking here.

Enjoy!

Wednesday, July 3, 2019

UJC #17: A Good Camera Goes Bad/Let's Make a Movie!

It's summertime, the livin' is easy, and the Shutter Brothers, Kelley and Kevin Lane, are back with a brand new episode of the Uncle Jonesy's Cameras Podcast. After taking the month of June off due to a busy vacation travel schedule, Kevin tells the sad story of how a good camera, his beloved Minolta X-700, went over to the dark side - literally. When he developed the first batch of vacation photos, Kevin found himself staring unbelievably at partially obscured frames like this:

With some help from online photography friends, Kevin learned that the ruined photos were caused by a malfunctioning shutter. You can read more about this problem and how you can help a good camera from going bad by going to Kevin's blog post here.

Next, Kelley introduces us to his newest fascination, and it's a very moving subject indeed:  home movies. While it hasn't been discussed previously by the Shutter Bros, Uncle Jonesy actually had a third camera in his collection, a Bell and Howell 8mm movie camera that he made fine use of while the Bros were kids growing up in Chattanooga. The camera and those home movies are still in Kelley's collection today. Kelley has recently acquired an Argus/Cosina 708 super 8 movie camera and some newly released Kodak Ektachrome super 8 movie film, and he plans to make a movie of his forth-coming beach vacation this month.

Home movies on film are starting to make a comeback of sorts with inexpensive cameras readily available in antique and thrift stores and online and both b&w and color film available from online sellers like the Film Photography Store. Kelley breaks down the different formats, developing and scanning, and the costs involved.

Finally, Kevin gives a big shot out to the fine folks who have donated cameras to be used by his students at Woodstation Elementary School. The Film Photography Project donated eight 35mm point and shoot cameras that will be used by fourth graders to learn film photography basics, and listener Jay Buie recently donated three Nikon N60 SLR's for lucky fifth graders to shoot for the yearbook. Many thanks to both for your generosity!

While we are on the subject of gratitude, we really want to express our most sincerest "thank you" to all our listeners who take the time to download and listen to our podcast. We never dreamed we would reach as many people as we do, and we really hope you all get something from the show. We would love to hear from you, so if you have a comment, question, tip, or story that you would like to share with us and our listeners, please consider sending us an email. You can even record a voice memo on your smart phone and send that to us, if you like. Our email address is unclejonesyscameras@gmail.com. If email is not your thing, then consider going to our Facebook page and making a post or commenting on an existing post. Also, we have an Instagram account as well (@ujcpodcast), and we would love to have you follow us there. Lastly, we hope you will subscribe to our podcast on whatever podcast app you like (we're on pretty much all of them), so that you will not miss any future shows.

Thanks all for now. Happy Shooting!

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Tuesday, July 2, 2019

When a Good Camera Goes Bad

You try to be a good parent. You set rules and you are there for them whenever they need you. You raise them right and give them second chances. You praise them when they do well. But even then, even after all you have done, sometimes a good one goes bad. And it hurts.

No, I'm not talking about your kids (at least I hope I'm not!) I'm talking about your cameras. The good ones - the ones you thought were safe from turning to the dark side. You've done all you thought you could as an owner, but the day comes when you look at the negatives and it hits you:  This good camera has gone bad. And like I said, as you stare unbelievingly at those hopeless negatives, it hurts. It really hurts.

Ok, so maybe I'm being a little dramatic here. but believe me, you might feel somewhat like this if the negatives your are staring at are negatives from an all-important once-in-a-lifetime family vacation that you thought was getting documented. What's even worse is that you chose to use your vintage film camera because "it's a great camera, and the photos it will make will be more meaningful than what your iPhone can ever do."Yeah, I said that, too. It actually happened to me recently. A good camera went bad.

It was just a couple of weeks ago that my wife, Debbie, and I set out on our much-anticipated road trip west toward Denver, Colorado, where my oldest daughter and her partner live. My younger daughter and her partner, who live in Seattle, were flying in to join us there. Rather than get to Denver as quickly as possible, we decided to take our time, stay off the interstate, and camp along the way. Our route included some places we had always wanted to see, including Reelfoot Lake in northwest Tennessee, the Oklahoma City Memorial, and Garden of the Gods in Colorado Springs. Of course, I carefully selected cameras for this trip, and I decided to go all Minolta with my X-700 and XD-7 SLR's and my 7s rangefinder. The first camera up was my X-700 loaded with Kodak Gold 200. I really like this camera, as it has a very accurate meter and fits well in my hand. It's the very definition of a good camera.

My beloved X-700

What I could not know at the time but would learn later when I viewed the developed negatives, was that it had gone bad - really bad, as you can see here.




Almost half of the frames I shot on two of the three rolls of Kodak Gold 200 I shot in it had the tell-tale signs of a shutter problem. I grabbed the camera, took the lens off, opened the back, and fired the shutter. I could see clearly the shutter lag myself, and I quickly noticed that it only happened at 1/1000 sec. Remembering that I had shot many of these photos in manual mode while using the Sunny f16 rule, I went back to the negatives and saw that, sure enough, nearly all the shots that were made at f8 and 1/1000 sec were affected. Fortunately, it wan't a total disaster, as other shots were fine. Nevertheless, this is exactly what you do not want to happen on an important photography assignment, project, or vacation.

Reelfoot Lake at Sunset. No shutter problem here.

After posting some details and some photos online, some very helpful fellow film photographers shared their experiences with the same problem and that it can be fixed with proper adjustment. In fact, a very nice photography friend quickly offered to fix it for me. Hopefully, I'll have a working X-700 back in the fold. But I have learned a couple of lessons thought this experience. First, things can go wrong. Cameras or film can fail, and they do not care how important the moments you are trying to capture are. When it is a once-in-a-lifetime moment, don't hesitate to go digital. Second, our vintage film cameras are . . . vintage. They're old! And as such, they will need servicing. While it may cost more money than you originally paid for your vintage film camera, a good CLA (clean-lubricate-adjust) may go a long way toward preventing problems that could lead to losing precious photographs. I like to think of myself as a caretaker for the cameras I own. Proper maintenance can keep a good camera from going bad.